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The Giants are riding a massive wave of momentum following a three-game sweep of the hated Dodgers at home. The matchups were as intense as ever, culminating in back-to-back walk-off finishes for San Francisco. For a better idea of how to balance the hatred with hilarity, I highly recommend you watch this miniseries written and directed by Mike Metz and Matt Barber—a pair of hardcore Giants fans based in Los Angeles:.
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Throughout the years, Jurado has weaved his mournful fictional confessions into nine recordings, each successively expanding on the one before it.
Around the foghorn
On Monday night, Club Mercy presents a performance by Jurado at the intimate Muddy Waters Cafe in what will surely prove to be much more than a musical blind date. Your most recent album, Caught in the Treesis probably your most collaborative undertaking to date.
What inspired such a unified approached? I think the reason is that, in the past, with the other records, I would just go in and do my part and then let everybody do their own thing and that would be it. But this record was more Eric and Jenna and I working together as a band and coming up with ideas.
What spawned that approach?
The songs came about because of the things I was going through on a personal level. I was going through a divorce after being married for 13 years and it was a really hard time.
It came full force during the writing process for the album. This was the first record that I was able to write from a personal standpoint, and Eric and Jenna were so involved because they were both there the entire time and were going through it too on a certain level. Was writing from a personal standpoint a cathartic experience? So that was really weird. I have moved on.
Your fictional songs are incredibly vivid and compelling. Where do those tales typically come from? Another powerful aspect of your songwriting is location. Your songs always have a very vivid setting. Is it a sense of identity you are trying to create? And it helps shape the characters too.
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Do you find poetry in extremes in cultural diversity here? You can wake up in Philadelphia and the people talk different and then you head on to Virginia and it changes again.
Does touring inspire bouts of creativity, or is the experience simply about performing? I wrote it at the beginning of the tour and ended playing it that night, actually.
I have also been writing a screenplay, and I think that traveling and being away helps with that. How are you finding the experience of writing a screenplay?
Is it difficult to constrain your ideas and stories to three-minute songs? No, not really. I think of a song like a blind date.
But a screenplay is more like a relationship. You really get to know them. Is it difficult to constrain your ideas and stories to three minute songs?
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